The hype surrounding the film has resulted in a strong opening and coupled with its merits, it should prove an earner for its investors. On the whole, TERE NAAM is rich in emotions - a fact that would go in its favour completely.
Mahima Chaudhary's dance number is quite good.
Sachin Khedekar, Savita Prabhune and Anang Desai lend decent support. Sarfaraz Khan is another actor who catches your attention with a flawless performance. The sequence with Bhoomika prior to the interval is well handled by the actor. Her simple, humble, traditionally Indian character should go down very well with the viewers. His emotional outbursts are splendid, and making him break down on several occasions is another human aspect that director Satish Kaushik explores - tough men also cry!īhoomika Chawla reminds you of Bhagyashree. But beneath the tough exterior lies a vulnerable person and this facet in particular comes to the fore in the latter reels. He breathes fire in sequences that demand uneasiness. Action sequences are raw and appealing.Īnd now to the performances! Salman Khan is exceptional in a role that fits him to the T. However, the placement of a few songs in the first half could've been better thought of.Ĭinematography is excellent. The 'Odhni' number is the pick of the lot. Himesh Reshammiya's music may not boast of chartbusting hits, but gels well with the mood of the film. Even the climax is so effective that your heart goes out to the lovers! In this film too, he executes the dramatic portions with panache, besides extracting a stupendous performance from Salman Khan. He is most comfortable in dramatic sequences, in fact that has always been his forte. But the way Satish has treated the subject speaks volumes of his aptitude. To accept the directorial reins of a love story that defies the stereotype, is indeed a challenge. Instances: MUGHAL-E-AZAM, EK DUUJE KE LIYE and QAYAMAT SE QAYAMAT TAK.ĭirector Satish Kaushik is in complete form this time around. But tragic ends have gone down very well with cinegoers, in turn translating into grand box-office victories. Fortunately, the last half-an-hour gathers momentum yet again and the sequence of events, right till the finale, are heart-rending.Ī small section of the audience may not take to the ending whole-heartedly, mainly because it's not a conventionally joyous culmination. The second half starts off brilliantly, the confrontation between the hero and heroine is amongst the best sequences of the enterprise and the pace is maintained right till the hero lands up in the hospital.īut the moment the focus shifts to the traditional shelter for the mentally imbalanced, the pace slackens. The clash between the hero and heroine builds up convincingly and the change of events at the interval point catches you unaware.īut the pace slackens in the post-interval portions. But opposites don't attract in this case! Yet, TERE NAAM is a complex love story.ĭirector Satish Kaushik opens the cards at the very outset: The hero is a vagabond, the girl is a simpleton. The reasons that bring them together are realistic and the conflict that ensues is equally convincing. TERE NAAM primarily revolves around two simple characters. There is no parental opposition, nor is there a rich versus poor angle, nor does it look at two different religions or caste differences, also there is no third lover popping up from somewhere. Though Bollywood has churned out love stories since time immemorial, the story of TERE NAAM is genuinely 'hatke' since it doesn't follow the standard rules of a romantic film. Rameshwar, Nirjara's fianc?informs her of this incident.īut before Nirjara can express her love to Radhe, something drastic happens. Unknowingly, Radhe saves Nirjara's elder sister from an adversity. Radhe declares his feelings to her, but Nirjara refuses him outright.
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